{"id":2676,"date":"2019-04-10T04:33:33","date_gmt":"2019-04-10T04:33:33","guid":{"rendered":"https:\/\/www.asiapropertyawards.com\/?p=2676"},"modified":"2021-06-04T14:20:16","modified_gmt":"2021-06-04T07:20:16","slug":"less-is-more","status":"publish","type":"post","link":"https:\/\/www.asiapropertyawards.com\/en\/less-is-more\/","title":{"rendered":"Simplicity is everything at designer’s Cebu home"},"content":{"rendered":"
\"\"
The minimalist interior of Carlo Cordaro’s home in Cebu was designed that way specially, says the Italian, to showcase the beauty of architecture<\/figcaption><\/figure>\n

At first glance, it seems an impossible, even absurd, location for a house. The piece of land rests in one of Cebu\u2019s most sought-after areas, and yet no one had ever attempted to construct anything of consequence on the property. Forty metres long but only 14 metres wide, the dimensions of the plot closely resemble a landing strip more than a housing lot, defying virtually all conventions and would confound most architects.<\/p>\n

But visionary Italian-born, Philippines-based designer Carlo Cordaro isn\u2019t \u201cmost\u201d architects. When the man behind Atelier A first looked at the property, he decided it was the perfect place to build his home. \u201cPersonally, I like a challenge,\u201d he says. \u201cIt\u2019s a narrow piece of rock, almost like a road. I spent several Sunday mornings just standing there, trying to understand it. In order to build a house, first you must understand the place.\u201d<\/p>\n

The more Cordaro stared at the slender strip of land, the more he found himself smitten with it and the possibility to create a truly unique space for his personal residence. The unusual structure is fitting for a man whose career and creative vision have seldom adhered to the norm. At Atelier A, Cordaro has made a name for himself by creating avant-garde pieces of furniture out of sustainable materials like bamboo, abac\u00e1 and coconut bark for luxury resorts and residential projects. Although he works with locally sourced Filipino materials, Cordaro favours the clean, geometric aesthetic that bespeaks his European roots.<\/p>\n

More: JLL\u2019s Christophe Vicic shares what\u2019s on the horizon for Philippines property market<\/a><\/strong><\/span><\/p>\n

A few of the signature pieces from his collections, many of them leftover from catalogue shoots, can be found in Cordaro\u2019s home. But the designer relates he prefers keeping the space uncluttered with excess furnishings.<\/p>\n

\u201cI didn\u2019t put too much inside because I didn\u2019t want to detract from the beauty of the architecture,\u201d Cordaro says. Instead, he chose to focus on envisioning a structure that would take full advantage of its surroundings. \u201cMaybe it\u2019s romantic, but I always say that a house has to be like a tree. A tree grows looking at the wind, looking at the light, so I analysed all those factors,\u201d he says.<\/p>\n

\"\"
The home is full of enticing nooks and crannies and features exquisite furnishing and design flair throughout: testament to Cordaro’s renowned good taste and love of luxury<\/figcaption><\/figure>\n

The result is something Cordaro likes to call a \u201cbridge house\u201d as it consists of two separate parts linked by a central space\u2014a veranda and swimming pool, which serves as the focal point of the home. With Cebu becoming increasingly congested, the serene spot has become the designer\u2019s respite from the urban bustle. Over the years, Cordaro has hosted countless guests, and the occasional yoga class or salsa session, in the inviting, open space.<\/p>\n

The tastefully modern house encapsulates Cordaro\u2019s lifelong commitment to sustainability, and is proof that one need not sacrifice luxury in order to embrace an eco-savvy design. \u201cThe house is perfectly exposed to the east, so in the morning, light floods the whole house,\u201d Cordaro says. In addition to ensuring the whole building receives plenty of sunlight, he wanted to avoid depending excessively on artificial climate control. \u201cI created a system, [such] that even without air-con there is very good ventilation,\u201d he says.<\/p>\n

Cordaro\u2019s tendency to apply rigorously logical solutions to innovative design stems from the earlier years of his career when he worked as a financial analyst in his native country. In the 1990s, a consulting job for Cebu Fil Veneer Corporation changed the trajectory of his life. He fell hard for both the Philippines and the process of working with natural materials. He found himself growing increasingly fascinated with the process of veneer and how it can be used to transform materials like bamboo into ultra-durable, striking objets d\u2019art<\/em>.<\/p>\n

Maybe it\u2019s romantic, but I always say that a house has to be like a tree. A tree grows looking at the wind, looking at the light, so I analysed all those factors<\/p><\/blockquote>\n

\u201cI wouldn\u2019t say I abandoned the financial world, but I realised my passion lay in design,\u201d Cordaro says. After the Hotel Concorde in Verona, Italy commissioned a series of furniture pieces from him in 1994, and he was hooked. Five years later, in 1999, saw him launch a collection that married bamboo with his decidedly Italian-inflected modern minimalist design philosophy.<\/p>\n

Cordaro continues to use bamboo in ways few might dare. \u201cI really love bamboo\u2014the way I work with it, it can be extremely strong and structural,\u201d he says. Sustainable local woods and fibres like abac\u00e1 and coconut bark have also played a major role in statement pieces and interiors he created for up-market properties like Kandaya Resort Cebu and Asmara Urban Resort & Lifestyle Village.<\/p>\n

The attraction to renewable resources instead of the glossy hardwoods traditionally associated with luxury, he reveals, stems from necessity. Excessive logging and poor forestry management in the 1960s and \u201870s have destroyed many of the indigenous forests in the Philippines.<\/p>\n

\"\"
The pool and veranda serve as the focal point linking two separate spaces in what Cordaro likes to call a “bridge house”<\/figcaption><\/figure>\n

While the materials tie into his own environmental sensibilities, Cordaro admits their inherent beauty is still the main reason he keeps coming back to them. \u201cI would say this is the new luxury. Everything is moving forward. I\u2019m trying to go backward instead, to abac\u00e1 fibre and palm fibre, and those romantic things,\u201d Cordaro says. Abac\u00e1, a grass that grows rampant throughout the island nation, replenishes itself constantly. Meanwhile, the bark of the coconut tree, which many designers overlook, produces an extraordinary visual contrast of the refined and the organic. \u201cYou can see the wild part of the nature and the part where it\u2019s dominated by our machines. This is our way to create the beauty out of a natural material,\u201d he says.<\/p>\n

As sustainable as these resources are, they\u2019re not exactly the most economic option. The raw materials themselves, while relatively inexpensive, command considerable price tags after the labour-intensive processes and craftsmanship they undergo. \u201cThere\u2019s a perception that bamboo is cheap, but the cost of the way I do bamboo is higher than a beautiful American walnut,\u201d he says. Such hardwoods may be an easy sell as they are often associated with opulence, but Cordaro sees dwindling forests and believes the choice is clear. \u201cAmerican walnut is a tree that takes 60 years to grow, whereas the bamboo, after 36 months, is already 25 metres high. If you think about it analytically, the winner is bamboo,\u201d he points out.<\/p>\n

In the future, Cordaro hopes to continue pushing the boundaries of sustainable design. In the meantime, you\u2019ll find him soaking up the sun in his little piece of paradise. At the end of the day, Cordaro says, \u201cThe real difficulty is not to design a beautiful, stunning structure, but to transfer an emotion.\u201d Looking totally cool and at peace, he seems to have successfully achieved this in his contemporary, unique, airy oasis.<\/p>\n

This article originally appeared in Issue No. 149 of PropertyGuru Property Report Magazine<\/a><\/span><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Eschewing clutter for a minimalist philosophy, Italian designer Carlo Cordaro\u2019s home in Cebu reflects his sense of sustainability and instinctive eye for aesthetics <\/p>\n","protected":false},"author":7,"featured_media":20000,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[87],"tags":[],"class_list":["post-2676","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-architecture-interiors","news_country-philippines","news_author-diana-hubbell"],"acf":[],"yoast_head":"\nSimplicity is everything at designer's Cebu home | Asia Property Awards<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.asiapropertyawards.com\/en\/less-is-more\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" 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