{"id":1451,"date":"2019-01-11T03:03:13","date_gmt":"2019-01-11T03:03:13","guid":{"rendered":"http:\/\/pgawards.wpengine.com\/?p=1451"},"modified":"2021-06-04T14:08:20","modified_gmt":"2021-06-04T07:08:20","slug":"take-a-tour-inside-this-jet-setting-thai-architects-california-home","status":"publish","type":"post","link":"https:\/\/www.asiapropertyawards.com\/en\/take-a-tour-inside-this-jet-setting-thai-architects-california-home\/","title":{"rendered":"Take a tour inside this jet-setting Thai architect’s California home"},"content":{"rendered":"

Openness and connectedness are not typically expected of a concrete box, but Kulapat Yantrasast defies the notion at his stateside home<\/strong><\/p>\n

\"\"<\/p>\n

On a well-to-do street in Venice\u2014not the one with the gondolas, but the Los Angeles beach town where glistening bodybuilders famously pump iron in disturbingly tiny pants on Muscle Beach\u2014the houses all follow a modest sort of protocol. All but one.<\/p>\n

Rising\u00a0defiantly over rows of chaste wooden bungalows is Kulapat Yantrasast\u2019s four-storey, concrete miscreant: part pool house, part design studio, part meditation pavilion\u2014and part multi-storey car park.<\/p>\n

Thai-born Yantrasast has lately become the go-to architect for the United States\u2019 finest art institutions\u2014his practice, wHY Architecture, designed Michigan\u2019s Grand Rapids Art Museum, reimagined the Speed Art Museum in Louisville, turned a Masonic Temple in L.A. into the Marciano Art Foundation, and is currently renovating and expanding San Francisco\u2019s Asian Art Museum. This afternoon, however, he\u2019s just happy to be home\u2014at least in the next two hours before the airport. \u201cI travel so much for work, it\u2019s nice to have an excuse to come here,\u201d said Yantrasast of the house he designed for himself.<\/p>\n

Wearing his hair in floppy spikes and sporting a pair of chunky, designer black-framed spectacles, Yantrasast is one of those naturally easy, upbeat people, immediately open and warm. Seated at what is technically the dining table but can also be a workbench, gazing at the pool through a wall of glass sliding doors that pull back to create an indoor-outdoor living space, he revealed, \u201cThis is my favourite place not just in the house, but the whole world.\u201d<\/p>\n

I REALLY SEE ARCHITECTURE AS MORE OF A BRIDGE THAN A WALL. IT ALLOWS YOU TO CONNECT TO CITIES AND NATURE AND THINGS, RATHER THAN CLOSE YOU OFF<\/p><\/blockquote>\n

Here the intention of his building comes to full focus. \u201cThe house is a shelter,\u201d he said, \u201cenclosed on three sides, but also connected to the outdoors.\u201d Yantrasast started with the pool and the garden, and then built an intentionally \u201cskinny\u201d house\u2014just 18 feet wide\u2014\u201cso the architecture would make room for the landscape.\u201d The pool looks straight onto the street, where cars and pedestrians pass by, though he\u2019s planted tall elephant grasses on one side to give his neighbours privacy.<\/p>\n

Openness and connectedness might not be what you\u2019d typically expect of a concrete box, but it\u2019s something Yantrasast has achieved time and again with his (also concrete) museums. It\u2019s evident in the concrete canopy that welcomes guests into the Grand Rapids museum, or his studio art building at Claremont\u2019s Pomona Art College, which comprises several concrete box-rooms dotted about an open-air courtyard, covered by a subtly undulating roof. \u201cI really see architecture as more of a bridge than a wall,\u201d related Yantrasast. \u201cIt allows you to connect to cities and nature and things, rather than close you off.\u201d<\/p>\n

There\u2019s a warmth about Yantrasast\u2019s home, too, that contradicts his brut material. Several dangerously tall piles of books threaten to topple at any moment, and the shelves are chock-full of tchotchkes\u2014anything from wood-carved African animals to plastic action figures. What draws him to such eclectic pieces? \u201cI guess a sense of humanity is what I\u2019m looking for,\u201d he decided. \u201cObjects that feel like someone is having fun with life.\u201d<\/p>\n

\"\"
Kulapat Yantrasast<\/figcaption><\/figure>\n

The home\u2019s delicate balance of structural rigour\u2014Yantrasast likes how concrete doesn\u2019t conceal how the house is built\u2014and human playfulness is a deeply personal aesthetic the architect has honed over more than two decades.<\/p>\n

Given his preferred material, it isn\u2019t surprising to learn Yantrasast experienced his \u201carchitectural upbringing\u201d under Tadao Ando. The Pritzker Prize-winning Japanese master who designed\u2014among many, many others\u2014the considered concrete museums of Naoshima \u201cart island\u201d and Tokyo\u2019s singular Omotesando Hills shopping mall, practically adopted him. A summer job in Ando\u2019s studio after graduating with an architecture degree at the University of Tokyo turned into eight years of professional partnership\u2014and a room in Ando and his wife\u2019s home. But, in 2003, Yantrasast decided it was time to strike out alone. And so he boarded a plane for Los Angeles.<\/p>\n

\u201cI like the clarity and the minimalism of what I learned in Japan,\u201d Yantrasast shared, \u201cbut towards the end of my time there, I longed for less rigour; I missed mess and fragrance and flavour. That\u2019s my Thai roots showing! A big reason I came to America was the sense of freedom, the diversity. I liked the possibilities of what can happen when people come from different places and collide with each other.\u201d<\/p>\n

\"\"
Yantrasast loves to entertain, and visiting guests are spoiled for choice in the home, which feels like an open multifunctional space with options ranging from lounging to vegging by the pool<\/figcaption><\/figure>\n

This yearning for life\u2019s chaos brought him to Venice, too, formerly more bohemian than today\u2019s gentrified incarnation. \u201cI liked the edge of it,\u201d he mused. \u201cI prefer things on the scruffy side.\u201d<\/p>\n

Yantrasast\u2019s house is by no means scruffy. But there is a certain, calculated embrace of the haphazard. The favoured spot where this chat began is on the second floor\u2014the first contains two guest apartments\u2014but, really, the whole building feels like one open, flowing, multi-functional space. Television, sofa, dining\/work table, kitchen, books and curiosities all occupy the same open-plan room, and from here you can see into the third floor\u2019s library\/studio where there\u2019s also an exercise bike and lots of random bric-a-brac\u2014a Mexican wrestling mask, a rubber duck\u2026 \u201cI built my house as a place for me to be happy and do all the things I want,\u201d Yantrasast explained, cheerfully. \u201cI liked the idea of one big space that I could do different things in, rather than a series of small rooms. For me, there\u2019s no line between work and play. There\u2019s no box I want to put things in.\u201d<\/p>\n

Ascending a concrete staircase from this floor, one enters into a clear, polycarbonate cube, jutting unapologetically from the roof. It seems a sort of decompression chamber between indoors and outdoors, but Yantrasast conceived it for a more practical use: it lights up at night, glowing like a beacon, and illuminating the al fresco astro-turf so you can hang out here after dusk. Because Venice is low-rise, the view expands over bungalows to distant glass towers and spindly palms. It\u2019s best viewed from \u201canother happy place\u201d\u2014his rooftop trampoline. \u201cJumping up here, you really feel you\u2019re in the sky,\u201d he laughed.<\/p>\n

\"\"
The way living spaces and leisure features such as an outdoor pool link effortlessly is testament to the architect\u2019s success in ensuring a flow to his design<\/figcaption><\/figure>\n

By now it\u2019s quite clear this house is Kulapat Yantrasast: a considered foundation of serious, technical brilliance, but outwardly fun, open and social. He loves to entertain in it, and that guests can do whatever they like\u2014cook, swim, watch TV\u2014because where some architects use design to control how a space is experienced, Yantrasast believes in being generous with choice.<\/p>\n

Choice also influences how he works. Unlike many such accomplished people, who tend to have their own strong (tunnel) vision, Yantrasast relishes collaboration. For that reason, he isn\u2019t committed to concrete, and used various materials in the 10 homes wHY has built for clients\u2014all of whom cold-called, asking for their services.<\/p>\n

\u201cIt would be a lot easier to apply formulaic solutions, because it\u2019s more time-consuming and less profitable when you\u2019re always starting from scratch,\u201d Yantrasast admitted. But if a person lives an interesting life, he said, their house should be reflect that. \u201cPeople who like that process and creating something unique gravitate towards us.\u201d<\/p>\n

Yantrasast\u2019s house, of course, is an extension of his interesting life, and that\u2019s why you likely won\u2019t see it on the market anytime soon. \u201cI didn\u2019t actually plan on staying here\u2014I thought I\u2019d sell it and move on,\u201d he confided, \u201cbut I just can\u2019t bring myself to leave.\u201d<\/p>\n

This article originally appeared in\u00a0Issue No. 148<\/a>\u00a0of PropertyGuru Property Report Magazine<\/em><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

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